First episode impressions: ‘Hellcats’ (TV review)
As the new shows roll out, I’ll be doing “first impressions” reviews of some of the debut episodes. First up is “Hellcats,” which airs at 8 p.m. Central Wednesdays on The CW.
As the new shows roll out, I’ll be doing “first impressions” reviews of some of the debut episodes. First up is “Hellcats,” which airs at 8 p.m. Central Wednesdays on The CW.
Welcome to opening day of the fall TV season, a day traditionally filled with hope and trepidation. Although there are four returning series that I absolutely adore (“Life Unexpected,” “Parenthood,” “Fringe” and “Star Wars: The Clone Wars”), the slate of new shows appears disappointing. Because of the stagnant state of the economy, I feel like major innovations […]
So what’s the next “Lost?” I’ve argued in the past that it’s “Fringe,” but I recognize there’s apathy toward it from the public rather than passion like there was for “Lost.” (Water-cooler discussion with other people is more fun than with yourself.)
I always say that “Dumb & Dumber” is a dumb smart movie, and I’ll say the exact same thing about Robert Rodriguez’s “Machete”: It’s very stupid, yet also remarkably intelligent. And hilarious. Make no mistake about it, even if you someday find it in the action section at the video store: “Machete” is a comedy.
George Lucas conceived the phrase “A long time ago in a galaxy far, far away” so that “Star Wars” — like “Lord of the Rings” before it — would not be confused as taking place in our own world.
The Devil always makes a great villain. That’s part of why M. Night Shyamalan’s new movie about people trapped on an elevator when weird things start to happen is so compelling: It’s called “Devil,” and that makes it all the more creepy because we wonder, “Is the Devil doing it?”
What is the best cover song you’ve heard performed live by a band that has never recorded that song?
With the prequels and a lot of the fiction that has come out since the prequels, we’ve been conditioned to think that anytime a Jedi feels attachment he’s in danger of going to the dark side.
Nowadays, it’s not unexpected to see fight scenes that are edited at such a rapid-fire pace that it’s almost impossible to tell what’s going on, or sometimes even who’s fighting who. And ever since this trend began about a decade ago, critics and moviegoers have said they don’t like it.
I looked a little closer at my Fall Movie Preview issue of Entertainment Weekly and discovered that “Machete” isn’t the only movie coming out. Here are nine others that might be worth a look: “Easy A” (Sept. 17) — I’ve been a fan of the scene-stealing Emma Stone since the short-lived TV series “Drive” in the summer of 2007, and now […]