John Hughes

‘Don’t You Forget About Me’ (2007) shows Hughes’ lasting impression

The 1980s were when teens became real people, right? OK, so that’s my age bias (born in 1978) coming into play. There were 1970s films

READ MORE

A cinematic feast: All 32 John Hughes movies, ranked

Thanksgiving seems a good day to rank the films of John Hughes. Not only did he write two Thanksgiving films but he also penned four

READ MORE

‘John Hughes: A Life in Film’ (2015) a starter bio

Coffee-table books are a risky proposition, as they can lure you in with nice design and colorful photos only for you to later discover that

READ MORE

‘Maid in Manhattan’ (2002), ‘Drillbit Taylor’ (2008) wrap Hughes’ resume

On three occasions, John Hughes used the pseudonym Edmond Dantes when he felt the film represented other people’s work more than his own. It doesn’t

READ MORE

Hughes’ screenwriting career ends with ‘Reach the Rock’ (1998), ‘Just Visiting’ (2001)

John Hughes’ wholly original works tended to be better than his sequels, remakes and adaptations, and the last two films of his screenwriting career sharply

READ MORE

Hughes’ ‘Baby’s Day Out’ (1994) crazily mixes tones

Admittedly, I don’t watch a ton of movies with a baby in the lead role, but I gotta assume “Baby’s Day Out” (1994) – despite

READ MORE

‘Dennis the Menace’ (1993) watchable, ‘Flubber’ (1997) awful

When committing to do a series reviewing every entry in a writer’s catalog, I know there are gonna be some duds to slog through, and

READ MORE

Dogs have their day in ‘Beethoven’ (1992), ‘101 Dalmatians’ (1996)

Two John Hughes staples – animals and pratfalls – are on display in his original, clunky-but-likable “Beethoven” (1992) and his slick live-action adaptation of “101

READ MORE

Hughes’ ‘Career Opportunities’ (1991) slacks off

“Career Opportunities” (1991) is an often likable but ultimately unfocused entry in writer John Hughes’ oeuvre. Like the two armed robbers being distracted by Josie

READ MORE

Pratfalls, lovable kid drive ‘Home Alone 3’ (1997)

Because of the reputation that the “Home Alone” films precipitously drop off in quality after part two, I had low expectations for director Raja Gosnell

READ MORE