Amityville

Get out! A ranking of the 11 primary ‘Amityville Horror’ movies

Among all the horror franchises with endless sequels and reboots and knockoffs, none can compete with the “Amityville” series (to use the word “series” loosely)

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‘Amityville Murders’ (2018) fills in key piece of puzzle

It took until the 23rd film with “Amityville” in the title for the 1974 Defeo family murders to finally be chronicled in full. Writer-director Daniel

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‘Amityville: The Awakening’ (2017) wastes its meta premise

“Amityville: The Awakening” (2017) has a hook, at least when I say it out loud. The story is set in the “real world,” where the

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In ‘Amityville Horror’ remake (2005), bigger isn’t better

After a string of direct-to-video “Amityville” movies, I was excited about the bigger budget, high production values and name cast of “The Amityville Horror” remake

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‘Amityville Dollhouse’ (1996) mercifully wraps up the ‘curse’ spinoffs

“Amityville Dollhouse” (1996) offers a cheeky addition to the “curse” spinoff series. Following a lamp, a clock and a mirror, now we have a dollhouse

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‘Amityville: A New Generation’s’ (1993) haunted mirror gives us little to reflect on

After the relative success (I gave it three stars) of “Amityville 1992: It’s About Time,” writers Christopher DeFaria and Antonio Toro quickly crank out the

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‘Amityville 1992: It’s About Time’ is fun shlock-around-the-clock

Putting the year of release in the title was a good strategy in 1992, making it clear to video-store patrons that they were getting the

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‘The Amityville Curse’ (1990) seeks its haunts from another house

As old trash movies become easily accessible in the streaming era, it’s become fashionable to look for hidden gems, to nominate underrated horror films for

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In ‘Amityville 4’ (1989), ‘The Evil Escapes’ into a daytime soap

The line between TV and film has blurred as we approach the point where the two media will be indistinguishable in production values. In 1989,

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‘Amityville 3-D’ (1983) could’ve used more dimension in its storytelling

“Amityville 3-D” (1983) hit theaters at the intersection of a couple of trends: one, sequels as ways to cash in on a horror franchise, and

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