‘Godzilla Minus One’ (2023) is Japan’s ‘Independence Day’
Movie review: Takashi Yamazaki’s character-driven prequel to 1954’s “Godzilla” illustrates the changing Japanese culture after WWII.
Movie review: Takashi Yamazaki’s character-driven prequel to 1954’s “Godzilla” illustrates the changing Japanese culture after WWII.
On a Hitchcock kick (Movie review): In one of the more interesting Hitchcock riffs, DeVito and Crystal play out the “Strangers on a Train” premise.
Movie review: Thanks to a winning performance by Sarah J. Bartholomew, the film finds the haunting subgenre still has life.
Movie review: This prequel honors Richard Donner’s classic with its 1970s style, but bizarrely takes the narrative down different paths.
Frightening Friday (Movie review): The Vicious Brothers write a smart sequel commenting on their own work and the genre as a whole, but scares are sacrificed.
Throwback Thursday (Movie review): The first lavish big-screen adaptation of Edgar Rice Burroughs’ saga stands as a fun romp in its own right.
On a Hitchcock kick (Movie review): In a prototype for “I Confess,” Hitch asks how much societal BS one person can absorb before it’s too much.
Frightening Friday (Movie review): This might be a pretty obvious premise for found-footage horror, but that doesn’t mean it’s a bad one.
Throwback Thursday (Movie review): A great soundtrack, melodrama, quirky folks and a smoothly understated romance make this a coming-of-age gem.
On a Hitchcock kick (Movie review): But viewers at the time didn’t get a fair chance to watch the director’s light romance until after “The Lodger” became a hit.