John Hansen

Firefly New Sheriff in the Verse

Mal switches sides in clever ‘Firefly: New Sheriff in the ’Verse’ (2020)

‘Firefly’ flashback (Comic book reviews): Greg Pak’s second “Firefly” arc is daring, I’ll give it that. Here’s a look at Boom! Studios’ Issues 13-20.

She Started It

Mean-girl mystery ‘She Started It’ (2023) a killer start to career

Book club book report: Though it’s obviously a debut novel, Sian Gilbert shows a knack for mystery plotting and insight into narcissists.

Dawn of the Dead 2004

Snyder gives ‘Dawn of the Dead’ a butt-rock 2004 remake

Frightening Friday (Movie review): Zack Snyder’s Fast Zombies version of Romero’s 1978 classic does some things better, some things worse.

Mean Girls 2

‘Mean Girls 2’ (2011) is far more plastic than the original

Throwback Thursday (Movie review): The emergence of a sequel to the comedy hit was predictable; unfortunately, so is its plot.

Vertigo

‘Vertigo’ (1958) a surreal, maybe unreal, masterpiece

On a Hitchcock kick (Movie review): Although it’s arguably imperfect, and certainly has imperfect people in it, it’s perhaps the most fun Hitch film to talk about.

Maltese Falcon films

Hollywood takes three shots at ‘Maltese Falcon’ (1931-41)

Sleuthing Sunday (Movie reviews): The 1941 Bogart-starrer is the most famous and best of these adaptations.

Night of the Living Dead 1990

Savini’s ‘Night of the Living Dead’ (1990) a remake worth doing

Frightening Friday (Movie review): Director Tom Savini adds action and pace, while George Romero himself beefs up the screenplay.

Mean Girls

‘Fetch’ didn’t happen, but at least ‘Mean Girls’ (2004) did

Throwback Thursday (Movie review): A stellar cast drives a teen comedy that struggles to balance laughs with a serious issue.

Rear Window

‘Rear Window’s’ (1954) views on privacy, spying remain relevant

On a Hitchcock kick (Movie review): This classic is timeless in the way it comments on human nature and societal standards.

Top 10 Movies of 2023

John’s top 10 movies of 2023

2023 movies: Action movies had grand finales, superhero fatigue drove off audiences, and horror and comedy became niche genres in a wild year in film.