‘Chad Powers’ powers forward as best of the ‘Ted Lasso’ ilk
TV review: By being the strangest and most daring of 2020s uplifting sports redemption fiction, it’s also the strongest entry.
‘Chad Powers’ powers forward as best of the ‘Ted Lasso’ ilk
‘C is for Corpse’ (1986), and for character building, in third Millhone book
Sleuthing Sunday (Book review): This time it’s personal as Sue Grafton’s private eye befriends a client who becomes a murder victim.
‘The Paper’ is worth a subscription as it nails modern journalism
TV review: Being real without being too depressing, this “Office” spinoff is blessed by wonderful character creations and cast chemistry.
Character exploration takes a backseat in rompish ‘Chucky’ Season 2 (2022)
‘Child’s Play’ flashback (TV review): The show is filled with pop-culture riffs but isn’t interested in going deep into the soul of its many Chuckies and humans.
‘The Running Man’ (1987) charges ahead to a dystopian future
Stephen King flashback (Movie review): The Eighties aesthetic is a core appeal of a film that gradually moves from satire to accurate portrayal as time goes by.
‘Echoes of Guilt’ is like a Lifetime movie without an editor
Book club book report: Beyond the standard mystery lies an existential one: How good could this novel have been if it was copy-edited?
‘Murdaugh: Death in the Family’ makes true crime chillingly personal
First episode impressions (TV review): Driven by stellar performances, the Hulu miniseries is among the fall’s best shows.
Grafton doesn’t bungle sophomore Kinsey novel ‘B is for Burglar’ (1985)
Sleuthing Sunday (Book review): The private eye uncovers a who’s who of suspects, and it’s entertaining to try to guess who is who.
‘Badlands’ lands as another good novel from Preston & Child
Book review: In their fifth Nora Kelly Novel, the authors expertly weave a bizarre ancient mystery with a modern one.
‘Chucky’ makes a killer move to prestige TV in Season 1 (2021)
‘Child’s Play’ flashback (TV review): Falling short of the writing and acting of influences like “Hannibal” and “Cobra Kai,” these eight episodes are nonetheless bizarrely watchable.