Hitchcock smartly threads theatrical ‘Rope’ (1948)
On a Hitchcock kick (Movie review): An updated version could wring more twists and tension, but Hitchcock’s is a fascinating experiment.
‘Strangers on a Train’ (1951) a first-class suspenser
On a Hitchcock kick (Movie review): Guy’s situation of having a bothersome person sit next to him is relatable but extreme in this classic thriller.
‘Foreign Correspondent’ (1940) lauds journalists but isn’t about journalism
On a Hitchcock kick (Movie review): The film is also notable for an action-film structure that fans of the modern “Mission: Impossibles” will recognize.
‘The Lady Vanishes’ (2013) is a lovely dramatic counterpoint
On a Hitchcock kick (Movie review): Seventy-five years after the comedic original version, a fresh take showcases the mystery – and Tuppence Middleton.
Intrigue disappears behind comedy in ‘The Lady Vanishes’ (1938)
On a Hitchcock kick (Movie review): This evocatively titled Hitchcock classic might surprise people by being a light comedy.
‘Psycho’ remake (1998) stands as a fascinating experiment
‘Psycho’-analysis (Movie review): Stage plays are remade all the time, so is the hatred of Gus Van Sant’s shot-for-shot remake of “Psycho” warranted?
Hitchcock’s ‘Psycho’ (1960) a masterpiece of tension
‘Psycho’-analysis (Movie review): Hitchcock’s horror classic is a masterpiece of slowly ratcheting tension — and that’s before we even meet Norman Bates.
Before ‘Bates Motel’: ‘Psycho’ (1959) (Book review)
Welcome to a new series where I look back at the books and movies of the “Psycho” franchise before its revival in “Bates Motel,” one of the best TV shows of the decade, which will conclude its five-season run this month. Let’s start at the beginning with Robert Bloch’s novel “Psycho” (1959). At 125 pages, it can