Books

Westmacotts wrap with intriguing triptych ‘The Burden’ (1956)

Agatha Christie wraps up her six Mary Westmacott books – non-mysteries written under the pseudonym – with “The Burden” (1956 in the UK). It’s not

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‘A Daughter’s a Daughter’ (1952) presages ‘Gilmore Girls’ ’ generational clashes

In the fifth Mary Westmacott novel, “A Daughter’s a Daughter” (1952), Agatha Christie returns to the almost-autobiography format of “Unfinished Portrait,” my pick for the

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Gibson meticulously imagines a future in ‘The Peripheral’ (2014)

After enjoying Season 1 of Amazon Prime’s “The Peripheral” enough to come back for Season 2, I decided to fill the offseason with a read

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‘The Rose and the Yew Tree’ (1948) explores minds, politics

Of Agatha Christie’s first four Mary Westmacott novels, the fourth — “The Rose and the Yew Tree” (1948) – is my new favorite. The title

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‘I Know What You Did Last Summer’ (1973) didn’t start as a slasher

“I Know What You Did Last Summer” was a hit horror movie in 1997, and it’s still a viable franchise today, with a TV series

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‘Unfinished Portrait’ (1934) peeks into Christie’s life

“Unfinished Portrait” (1934), Agatha Christie’s second Mary Westmacott novel, is a straightforward bildungsroman of Celia going from childhood to a suicide attempt to possible peace

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‘Absent in the Spring’ (1944) a never-dull dive into one woman’s mind

“Absent in the Spring” (1944), the third of the six Mary Westmacott novels (but in the second slot in the “Six Mary Westmacott Novels” collection),

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‘Giants’ Bread’ (1930) a tragedy of love, creative drive

In “Giants’ Bread” (1930, sometimes published as “Giant’s Bread”), her first Mary Westmacott novel, Agatha Christie seems to be as driven to write a non-genre

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‘Elephants Can Remember’ (1972) easy to forget 

“Elephants Can Remember” (1972) isn’t Agatha Christie’s worst novel — “The Big Four” and “Passenger to Frankfurt” are less readable. But it is her thinnest

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Marple unleashed like a bloodhound in ‘Nemesis’ (1971)  

Agatha Christie might’ve seemed like she was losing her marbles on the spy thriller “Passenger to Frankfurt” (1970), her worst novel to this point. But

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