Readers who enjoy the explanatory sections of Michael Crichton’s novels – where he goes into history and analysis of issues – should check out his
First, the elephant in the room. “Buffy: In Every Generation” (January, hardcover) takes place in an alternate timeline – in almost-present day, but with “Angel”
The relationship between Philip K. Dick and cinema has mostly been posthumous. Although he saw the “Blade Runner” sets and admired them before his death
The 1980s were when teens became real people, right? OK, so that’s my age bias (born in 1978) coming into play. There were 1970s films
Michael Crichton left us with one last grand mystery upon his passing. We know he wrote “over a third” of “Micro” (2011) before he died,
Stephen King makes a remarkable debut with “Carrie” (1974), a rough-and-tumble but intensely readable short novel that’s perhaps more notable for its influence than for
“Dealing, or The Berkeley-to-Boston Forty-Brick Lost-Bag Blues” (1970) is Michael Crichton’s only collaborative novel (not counting the posthumous “Micro”), written with his brother Douglas (1948-2012)
Stephen King famously disliked the film version of “The Shining” (1980) because director/co-writer Stanley Kubrick made Jack Torrance unhinged from the start, and thus he
“Dead Man’s Folly” (1956) is a page-turner with an evocative main setting of a carnival on a country mansion’s grounds, humorous interplay between Ariadne Oliver
I knew Michael Crichton dipped his toe into a lot of genres and ideas, but until I read “Binary” (1972), the last of his eight