“Here Be Monsters” (June 2000) is the most padded “Buffy” novel so far, but the meat of Cameron Dokey’s debut effort is pretty decent. Once
Diana G. Gallagher’s “Prime Evil” (March 2000) is a game-changer for the “Buffy” book series – not because it’s significantly better than other books (although
After the often credulity-stretching “Obsidian Chamber” (2016), Douglas Preston and Lincoln Child get back on track with “City of Endless Night” (January, hardcover), their 17th
Laura Anne Gilman and Josepha Sherman, who showed promise with their first “Buffy” YA novel, “Visitors,” step up slightly with “Deep Water” (February 2000), although
This might sound like an odd statement, but Ray Garton writes a pretty darn good “Buffy” novel despite having a tenuous grasp of the show.
Elisabeth Massie connects on some things and misses on others in her first and only entry in the “Buffy” young-adult line, “Power of Persuasion” (October
Even if you’ve watched Amazon Prime’s “Philip K. Dick’s Electric Dreams,” you still don’t know the 10 short stories they came from. The teleplay writers
I’ll have good things to write about Mel Odom’s Buffyverse work when I get to the “Angel” novels, but he makes an inauspicious debut with
After the “Buffy” novels split into adult and young-adult lines in late 1998, “Visitors” (April 1999) relaunched the YA line. At 163 pages, and without
Although “Blooded” (August 1998) is the fourth original young-adult “Buffy” novel, it’s possibly the book that inspired the publisher, Pocket Books, to split the title