After Season 8, Dark Horse’s canonical “Buffy” comics do what the TV series did more than a decade prior: split into two series. While “Angel
IDW produced three “Angel” one-shots in the final three years of its run. All of these double-length issues are finales of sorts, and there’s a
Throughout my reread of IDW’s Angelverse work, it’s become increasingly clear that the “Spike” titles tend to be better than the “Angel” titles. There are
Spike and Illyria go off on their own adventures toward the end of the period of IDW’s “Angel” ongoing series. Two four-issue miniseries — “Spike:
Starting with three transitional issues (36-38) where they share plotting and scripting duties with Bill Willingham, the duo of David Tischman and Mariah Huehner takes
The first 27 issues of IDW’s main “Angel” title were collected under the “Season Six” banner, and that works out well because writer Bill Willingham’s
IDW was champing at the bit to continue Illyria’s story upon acquiring the “Angel” license, both because her character arc was left hanging and because
When IDW first picked up the “Angel” license, it delivered hesitant stories – with the exception of the “Spike” titles – up until the canonical
“Spike: After the Fall” (July-October 2008) caps a trilogy of “Spike” titles – following “Asylum” and “Shadow Puppets” – from writer Brian Lynch and artist
After the “First Night” interlude (Issues 6-8), IDW’s “Angel” returns to the main storyline of “After the Fall” having lost its momentum. Although still plotted