“Viy” (1967) came to my attention by virtue of having been collected in a 15-disc compendium of folk horror films “All the Haunts be Ours”
We all have atom brains. Even the non-creatures among us. All of our brains are made out of atoms. Our minds, on the other hand,
“The Fury” (1978) is no one’s pick for best or worst Brian De Palma movie, but it’s in contention for weirdest. A couple years after
To conjure Taggart (the immortal Slim Pickens’ character from “Blazing Saddles” (1974)): What in the wide, wide world of sports can “The Wrestling Women vs.
Brian De Palma’s first horror film, “Sisters” (1972), is also the movie where he finds one of his two primary identities. Later, he’d be known
If it wasn’t official already, in “Terrifier 3” Damien Leone has taken the baton from Eli Roth as the goriest filmmaker working today. He’s also
Damien Leone’s two-decade film career has been defined by a bizarrely specific yet noble goal: to keep practical gore effects alive in an era of
“Repulsion” (1965) has aged incredibly well, a modern-seeming story of a woman’s troubled mind. “Rosemary’s Baby” (1968), though slow by today’s standards, is a classic
Is “Abigail” a bloody good time or a bloody mess? This horror flick from the team behind “Ready or Not” and the two “Scream” legacy
“The Strangers” (2008) and “Strangers: Prey at Night” (2018) are solid horror films that almost brought the old Jason potato-sack mask and the Drew Barrymore