Horror Movies

We’re caught in the Shyamalan ‘Trap’ yet again

Will we get “The Sixth Sense” M. Night Shyamalan or “Knock at the Cabin” M. Night Shyamalan? That’s the trap viewers get caught in every

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Body-horror film ‘The Substance’ has plenty of it

Both a throwback to old-school practical-effects monster horror and a present-day breakthrough for writer-director Coralie Fargeat, “The Substance” goes deep into the issues (and tissues)

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A fanged swain makes his dad proud in ‘Son of Dracula’ (1943)

What is “Son of Dracula” (1943) about? It is a black-and-white horror flick that concerns a Southern belle aiming for immortality – and also, a

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‘Alien: Romulus’ is saga’s best follow-up since ‘Aliens’

Legacy sequels have become such an ingrained aspect of Hollywood that we’re inured to them, and cynically assume they’ll at best have a few moments

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‘Speak No Evil’ imports chillingly awkward horror

“Speak No Evil” will be scary to many viewers, but especially those who worry over social interactions. Director/co-writer James Watkins (“Eden Lake”) remakes the 2022

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‘Repulsion’ (1965) provides searing peek into a troubled autistic woman

If “Repulsion” (1965) were remade today, it couldn’t be a more searing, insightful look into one autistic woman’s experience in a neurotypical world than what

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‘78/52’ (2017) analyzes ‘Psycho’s’ Shower Scene, and makes a case for its obsession

If the shower scene – or should I say The Shower Scene – from Alfred Hitchcock’s “Psycho” (1960) wasn’t already the most obsessively analyzed sequence

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‘Ænigma’ (1987) embraces reincarnation, psychokinetics, carnivorous snails

“Ænigma” (1987) dares ask: Can a lady in a coma avenge herself via a rebel-gal at a Catholic girls’ school? It’s the same rhetorical question

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‘Apartment 7A’ could be called ‘Terry’s Baby’

With “Apartment 7A” (Paramount Plus), it’s all relative. It’s the least-bad “Rosemary’s Baby” spinoff (following a film sequel, a book sequel and a miniseries remake),

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‘Rosemary’s Baby’ (1968) is horror by gaslight

The term wasn’t popularized at the time, but “Rosemary’s Baby” (1968) is a master class in gaslighting. In her sympathetic breakthrough role, Mia Farrow’s title

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