It’s hard to make a mainstream horror movie that stands out from the pack while also checking the required boxes of being scary, moody, mysterious
The early “Hellraiser” films feature a guy regenerating from the inside out, people being ripped apart by chains, a skinless woman emerging from a bloody
“The Last Voyage of the Demeter” had been in development hell for a couple decades, and while it’s great for vampire horror fans that it
“Hellraiser: Revelations” (2011) is the worst “Hellraiser” movie, but among the most interesting to discuss. Because Dimension has a contract with the “Hellraiser” IP where
“Hellraiser: Hellworld” (2005) – the saga’s eighth film, third in a row from director Rick Bota and second consecutive film shot in Romania – is
“The Pope’s Exorcist” sounds like a title you’d see on a Redbox kiosk around the time of a new “Exorcist” movie (indeed, that saga’s sixth
In a time of overhyped too-minimalist horror films (“The Black Phone,” “Boogeyman”) and big-name franchises (the “Insidiouses” and “Conjurings”), “Cobweb” finds a nice middle ground.
It took until the 23rd film with “Amityville” in the title for the 1974 Defeo family murders to finally be chronicled in full. Writer-director Daniel
The “Hellraiser” saga has a strange ability to tell the same story over and over but not in precisely the same way. For “Hellraiser: Deader”
“Amityville: The Awakening” (2017) has a hook, at least when I say it out loud. The story is set in the “real world,” where the