- John Hansen
- February 24, 2018
‘Get Out’ reviews
John’s “Get Out” review, johnvhansen.com, June 25, 2017 Michael’s “Get Out” review, Top 20 films of 2017, Jan. 21, 2018
READ MORE
- John Hansen
- February 23, 2018
‘Mother!’ reviews
Shaune’s “Mother!” flashback review, May 9, 2019 Michael’s “Mother!” review, Top 20 films of 2017, Jan. 21, 2018
- John Hansen
- February 19, 2018
‘The Fly’ (1986) review
John’s Frightening Friday flashback review, Nov. 28, 2025 “The Fly” – Starring Jeff Goldblum (who kind of looks like a fly) and Geena Davis (who
- John Hansen
- February 19, 2018
‘The Langoliers’ review
“The Langoliers” – Directed by Tom Holland, “The Langoliers” is among the elite TV movies, Stephen King movies and time-travel movies. It works much like
- John Hansen
- February 19, 2018
‘The Relic’ reviews
John’s “The Relic” flashback review, Sept. 27, 2020 “The Relic” – The book by Douglas Preston and Lincoln Child is the scariest novel ever written,
- John Hansen
- February 16, 2018
Millennial ‘Groundhog Day’ ‘Happy Death Day’ is no ‘Groundhog Day,’ but it’s not terrible (Movie review)
“Groundhog Day” (1993) is of course the touchstone of the “repeating the same day” genre, so when another film comes along with that premise, it’s
- John Hansen
- February 13, 2018
‘Cloverfield Paradox’ pays lip service to science, turns into a familiar space thriller (Movie review)
“The Cloverfield Paradox” (which recently debuted on Netflix), the third installment of the loosely connected Cloververse saga, takes topical physics such as the recently discovered
- Michael Olinger
- January 21, 2018
Michael’s top 20 films of 2017
There were a lot of great films in 2017. So many, in fact, that this year I have decided to do a top 20 list
- John Hansen
- January 17, 2018
‘It’ taps into ’80s nostalgia, but is short on scares (Movie review)
The 2017 “It” remake – now available from Redbox — is the most Stephen Kingy Stephen King adaptation to hit the screen in a long
- Michael Olinger
- January 7, 2018
‘Insidious: The Last Key’ continues franchise tradition of emotionally resonant horror
There has always been a sense in the “Insidious” movies that they are about more than the scares. In each of the films the audience