‘The Third Man’ (1949) doesn’t even need a third man to be great
Throwback Thursday (Movie review): Starring Cotten and Welles, this is one of the definitive film noirs, elevated by great dialog and fascinating oddities.
‘North by Northwest’ (1959) an early action classic with humor
On a Hitchcock kick (Movie review): But don’t think about the plot for a moment or this entry in Hitch’s Mount Rushmore will crumble.
‘Vertigo’ (1958) a surreal, maybe unreal, masterpiece
On a Hitchcock kick (Movie review): Although it’s arguably imperfect, and certainly has imperfect people in it, it’s perhaps the most fun Hitch film to talk about.
‘Rear Window’s’ (1954) views on privacy, spying remain relevant
On a Hitchcock kick (Movie review): This classic is timeless in the way it comments on human nature and societal standards.
‘Dial M for Murder’ (1954) … or for masterpiece
On a Hitchcock kick (Movie review): This unusually stylish “filmed stage play” features one of the most twisty and compelling mystery plots ever devised.
‘Oppenheimer’ is an epic, but not quite the bomb
Movie review: Nolan’s film is so intent to avoid the obvious that it goes deep into the shadows of political maneuverings.
‘Top Gun: Maverick’ cruises along with spectacle, nostalgia
Movie review: Come for the spectacular visuals and audio, stay for the … ahem … spectacular visuals and audio in this long-awaited sequel.
Reeves’ grounded, hardboiled ‘The Batman’ flies high
Movie review: The writer-director takes the Batman back to his “World’s Greatest Detective” roots in a delicious mix of brooding noir and hopeful romance.
Kubrick’s ‘Shining’ (1980) both simple and complex
Stephen King flashback (Movie review): Stanley Kubrick’s controversial take on King’s novel can function as a scare flick or whatever you want it to be.
Spider-Verse tastily envelops ‘Spider-Man: No Way Home’
Movie review: The partnership between Sony and Marvel becomes a beautiful thing as the MCU embraces the multiverse with smarts and humor.