Movies

The strangely enduring legacy of Luke Perry’s Pike in the ‘Buffy’ saga

With the tragic death of Luke Perry (1966-2019) from a stroke this past week, there’s been an influx of “Buffy” fans announcing that they loved

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‘Varsity Blues’ (1999) smartly parodies teen sports flicks

I recall that the theater was packed with an enthusiastic crowd for “Varsity Blues” in January 1999. Not that it was a huge movie –

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Mamet keeps us guessing in ‘Spartan’ (2004)

“Spartan” (2004) lacks the usual crisp screenplay of David Mamet, who also directs, but its lack of laser-focus might be part of the point here.

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Despite being from her point of view, ‘Summer ’03’ keeps teen’s world at a timid distance (Movie review)

“Summer ’03” (2018) had the misfortune of coming out the same year as “Eighth Grade,” which showed new blood can be wrung from the stone

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‘The Black Dahlia’ (2006) gets explored as a comedy

“The Black Dahlia” (2006) starts comedically, with cops Lee Blanchard (Aaron Eckhart) and Bucky Bleichert (Josh Hartnett) in a boxing match to raise public support

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‘Heist’ (2001) boasts intricate plotting, lovable criminals

“Heist” (2001) had the misfortune of being a crime film – and one with an airplane heist in its plot — coming out in the

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Korean film ‘Burning’ is a strong entry in the ‘What the heck is going on?’ subgenre (Movie review)

In the tradition of great Asian cinema, “Burning” (2018) is intensely strange and immensely engrossing. Fittingly, lead actor Ah-in Yoo, as Lee Jong-su, seems to

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Japanese film ‘Shoplifters’ is a heartfelt exploration of a makeshift family (Movie review)

When I throw around the phrase “makeshift family” in reviews, I’m usually talking about tight groups of friends. But the Japanese film “Shoplifters” (2018) shows us

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‘The Favourite’ critiques timeless governmental power plays, but isn’t as sharp or funny as it could be (Movie review)

A lot has been made about how horror (“Get Out” last year) and superhero (“Black Panther” this year) films are making inroads with the Oscars,

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Cuaron’s ‘Roma’ a partly exhilarating, mostly exhausting, very eye-opening walk in the shoes of a 1970s Mexican maid (Movie review)

With the Oscars coming up, the guilt of constantly scrolling past “Roma” (2018) on Netflix en route to “Daredevil” episodes finally got to me, and I

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