I might have been in the first 1 percent of people to see “Office Space.” My buddy Jeremy and I had the theater to ourselves
Prior to seeing “Bohemian Rhapsody” (2018), I was hardly a Queen fan. The band’s popularity had faded before I was old enough to appreciate it, and
I’m usually not a fan of remakes, but I make exceptions if the remake brings a fresh perspective to the material. I can also be
After his love letters to jazz — “Whiplash” (2014) and “La La Land” (2016) — a film fan wouldn’t be surprised if director Damien Chazelle’s
With “State and Main” (2000), writer-director David Mamet delivers a satirical look at the making of a Hollywood movie, but it’s so lighthearted that it’s
Similar to the two “Strangers” films, “He’s Out There” (2018, now on Netflix) strips the horror genre down to basics and tells a scary story
“Elizabethtown’s” existence in 2005 ticked me off, since, as a huge “Garden State” fan, I felt it was ripping off that film’s plot of a
There’s something suspicious about the way people are acting around Joe Ross (Campbell Scott) in “The Spanish Prisoner” (1997). As the creator of The Process,
Don’t put on “The Devil’s Candy” (2015, Netflix) if you want something light. But if you’re in the mood for a stylish, heavy-metalized thriller, this
“House of Games” was Roger Ebert’s No. 1 movie of 1987 and is one of my pal Michael Olinger’s top three movies of all time,