Brian De Palma’s first horror film, “Sisters” (1972), is also the movie where he finds one of his two primary identities. Later, he’d be known
There’s much to admire about “Beetlejuice’s” (1988) historical significance. Tim Burton was becoming Tim Burton, Michael Keaton was becoming Michael Keaton (“Batman” followed one year
If it wasn’t official already, in “Terrifier 3” Damien Leone has taken the baton from Eli Roth as the goriest filmmaker working today. He’s also
Damien Leone’s two-decade film career has been defined by a bizarrely specific yet noble goal: to keep practical gore effects alive in an era of
“Repulsion” (1965) has aged incredibly well, a modern-seeming story of a woman’s troubled mind. “Rosemary’s Baby” (1968), though slow by today’s standards, is a classic
Is “Abigail” a bloody good time or a bloody mess? This horror flick from the team behind “Ready or Not” and the two “Scream” legacy
“Chinatown” (1974) is one of the most important Seventies neo-noirs, and one of the most straightforward, as it is set during the OG era of
“The Strangers” (2008) and “Strangers: Prey at Night” (2018) are solid horror films that almost brought the old Jason potato-sack mask and the Drew Barrymore
“Stage Fright” (1950) revisits the wrongly pursued person and theatrical setting of “Murder!” (1930) and executes the subsequent events better. Flirting with slow-burn romantic intrigue
Will we get “The Sixth Sense” M. Night Shyamalan or “Knock at the Cabin” M. Night Shyamalan? That’s the trap viewers get caught in every