Any dive into the great film noirs has to include “The Third Man” (1949), often ranked among the best British productions of all time. Interestingly,
“Mr. and Mrs. Smith” (1941) is infamously Alfred Hitchcock’s worst film because he operates like a hired hand, efficiently making a standard, unfunny rom-com. The
Unfortunately for “The Princess and the Goblin” (1991), it was released in the United States in 1994, the same year as “The Lion King.” Comparisons
“Saboteur” (1942) gets somewhat lost among the great Alfred Hitchcock films. It is one of many about a common man who becomes a fugitive because
Prime Video’s “Space Cadet” is like “Legally Blonde” with law students replaced with astronauts-in-training. It also recalls “Private Benjamin.” Or perhaps it’s a comedic “Top
“Marnie” (1964) is an uneven film with bizarre behaviors by unlikeable people, the first of Alfred Hitchcock’s final five films that lack the wide acclaim
“The Fall Guy,” the latest epic actioner from writer Drew Pearce – who collaborated with Shane Black on “Iron Man 3” (2013) – really wants
“The Opposite of Sex” (1998) is a small film that announces big things, namely Christina Ricci’s emergence into adult roles and Lisa Kudrow’s branching into
With his sixth sound film, “Number Seventeen” (1932, sometimes titled as “Number 17”), Alfred Hitchcock accidentally showcases his skill in action direction and editing. It’s
Platinum Dunes goes against its reputation as an IP-cash-in studio with “A Quiet Place: Day One,” a prequel that’s the best and most heartfelt of