“The Exorcist: Believer,” a 50th anniversary legacy sequel from Blumhouse that – like its recent “Halloween” 40th anniversary trilogy – ignores all the previous sequels
A lot of revenge movies struggle for a sense of proportion. The early event that makes you hate the villain might be effective, but how
“Foreign Correspondent” (1940) is one of the “underrated” Alfred Hitchcock movies. But when a body of work is so thoroughly scrutinized, it’s hard to find
DC cared enough about protecting the brand of “Batgirl” that it scrapped a completed movie so the public wouldn’t see a bad “Batgirl” movie. But
As “Talk to Me” puts Australian horror back on the map, and “Hell House LLC Origins: The Carmichael Manor” has me on a found-footage kick,
It’s been the end of the world as we know it for a while in pop entertainment. “The Terminator” (1984) predicted this would be the
Seventy-five years after Alfred Hitchcock made a lightly comedic version of “The Lady Vanishes” from Ethel Lina White’s “The Wheel Spins” (1936), we got a
“Shaun of the Dead” (2004) is not only the best zombie comedy of all time, but a case could be made that it uses zombies
Four years after Agatha Christie’s “Murder on the Orient Express” chronicled a mystery on a snowed-in train in Eastern Europe, Afred Hitchcock did the same
Writer-director Stephen Cognetti wraps his “Hell House LLC” trilogy with the consecutively filmed “Hell House LLC II: The Abaddon Hotel” (2018) and “Hell House LLC