“Magic in the Moonlight” (2014) is a middle-of-the-road Woody Allen rom-com, which still makes it better than most genre works — but leaves one thinking
“Supernova” (2000) was disowned by director Walter Hill (a writer on “Aliens” and “Alien 3”) before its release (the fake name Thomas Lee is used),
Watched today, “Solaris” (1972) requires a pact with the viewer beforehand. It offers none of the things we look for in modern space films, such
Woody Allen pairs with fellow comedian-actor Tracey Ullman – wife Frenchy to his Ray – in “Small Time Crooks” (2000), an endearing rags-to-riches trifle. I
After the bloated movie (miniseries? deleted scenes collection?) that was Zack Snyder’s 4-hour “Justice League,” the writer-director-cinematographer returns to his comfort zone with “Army of
Upon its release, “Event Horizon” (1997) was billed as “The scariest movie you will ever see,” and through the eyes of someone just getting into
In the late-1990s gamut of “mysterious alien object/message” movies, “Contact” (1997) is the mainstream one – in the best sense of that term. You can
Having expressed his nostalgic feelings for Manhattan (“Manhattan”) and old-time cinema (“Play It Again, Sam” and “The Purple Rose of Cairo”), Woody Allen next pens
Taylor Sheridan — who has gained a fanbase for his directing (“Wind River”), writing (“Hell or High Water”) and showrunning (“Yellowstone”) – delivers another great
“The Woman in the Window” (Netflix) calls to mind Hitchcock’s “Rear Window” as Amy Adams’ Anna – an agoraphobic if you want to be nice;