- John Hansen
- April 25, 2024
Utterly generic nature leaves ‘Night Swim’ all wet
A lot has been made about the coming age of AI-generated scripts, but a movie like “Night Swim” (Peacock) makes me wonder if anyone will
A lot has been made about the coming age of AI-generated scripts, but a movie like “Night Swim” (Peacock) makes me wonder if anyone will
“Late Night with the Devil” (Shudder) has a gripping, grindhouse-esque horror concept wherein the supernatural perhaps encroaches on live TV in 1977. But Aussie writer-directors
Every quarter century we get a sci-fi epic about how God can perhaps be found at the endpoint of scientific advancement – “2001” (1968), “Contact”
The novelty of a TV series that bobs and weaves among the established lore of a pricey film series isn’t what it used to be.
You’ve heard of superhero fatigue, but superhero shows have nothing on the ubiquity of murder mystery miniseries. The genre has been going strong for at
“Barbie” wouldn’t be a good idea for a product tie-in movie, except that it’s about how it’s not a good idea for a product tie-in
“Oppenheimer” is the most important piece of cinematic homework of 2023, something that would be invaluable to civics classes learning about the back rooms of
As big-screen comedies die out, director/co-writer Gene Stupnitsky’s career comes alive with “No Hard Feelings,” one of 2023’s funniest films. The former “Office” writer had
“Thanksgiving” promises “there will be no leftovers.” If you believe that, you haven’t noticed how modern horror films let not only the Final Girl but
“Hercule Poirot’s Christmas” (1938) is a solid book with one of the most unlikely types of killers in Agatha Christie’s catalog, but it’s a little