When the “Jurassic Park” toy line released “Chaos Effect” figures back in the day, I thought “Why not make more actual dinosaurs?” What Mother Nature
After the bloated movie (miniseries? deleted scenes collection?) that was Zack Snyder’s 4-hour “Justice League,” the writer-director-cinematographer returns to his comfort zone with “Army of
Taylor Sheridan — who has gained a fanbase for his directing (“Wind River”), writing (“Hell or High Water”) and showrunning (“Yellowstone”) – delivers another great
“The Woman in the Window” (Netflix) calls to mind Hitchcock’s “Rear Window” as Amy Adams’ Anna – an agoraphobic if you want to be nice;
“Cruel Summer” (Tuesdays, Freeform) would’ve been a frothy summer cable series a decade ago. Today, TV schedules are less rigid, but this teen/family mystery gives
In his first series since “Marvel’s Agents of S.H.I.E.L.D.” (2013) and his first hands-on series since “Dollhouse” (2008), Joss Whedon returns to TV with “The
Except for sports, I’m not a channel surfer. I give scripted shows the courtesy of watching them from the beginning. But as my TV stayed
“Godzilla vs. Kong” (HBO Max), like the three previous films in the Monsterverse series, is better at creature battles than it is at anything deeper
As with “Superman II,” we now have two versions of “Justice League.” But in this case, the differences are much vaster; in fact, the 2017
“Jurassic World: Camp Cretaceous” Season 2, which snuck onto Netflix in January like a velociraptor sneaking into a kitchen, continues to do what Season 1