In the 19th century, authors snuck mystery elements into their stories and an exciting and popular new genre gradually emerged. In “The Night We Lost
“Challengers” gets a lot of mileage out of what is essentially a “Gossip Girl” premise: Two male tennis players – besties who have won the
“I Saw the TV Glow” is one of the weirdest movies I’ve ever liked. This neon-lit, wrongly categorized “horror” movie from writer-director Jane Schoenbrun taps
At least give writer-director Parker Finn credit for finding a new angle into his “Smile” saga. He follows up his popular but slightly overrated 2022
“Bad Boys: Ride or Die” picks up soon after 2020’s legacy sequel “Bad Boys for Life,” but it doesn’t ride on that movie’s fumes. The
The Oscars have talked about adding new categories to appeal to a wider demographic. If there was one that rewarded backroom office-politics navigation in order
“Twisters” recaptures that feeling of thrills from natural-disaster movies in the waning days of the flickering-projector, catch-it-in-the-dollar-theater era. We get pseudo-science delivered with a straight
Some Gen-Z teen TV shows have original premises and say something specific about this point in history … but I’m not reviewing those here. Instead,
My look at fall TV’s premieres continues into November with a trio of streaming offerings. Although these series have several episodes out now (I miss
“Caddo Lake” (Max) smartly taps into both emotions and metaphysics, along with the gorgeously foreboding bayou straddling Texas and Louisiana, in one of 2024’s minor