Documentaries give solid overview of Philip K. Dick
PKD flashback (TV reviews): These three documentaries play well as introductions, and established fans will enjoy putting faces to names.
PKD’s ‘Breakfast at Twilight’ expands into ‘Nuclear Family’ (2021)
PKD flashback (Comic book review): The five-issue series expands on PKD’s short story in the same way TV’s “Man in the High Castle” builds a world from the novel.
All 35 of Philip K. Dick’s science fiction novels, ranked
Book list: I rank all 35 science fiction novels by an author increasingly appreciated for his on-point and humorous previews of 21st century life.
All 9 of Philip K. Dick’s non-SF novels, ranked
Book list: Despite being rejected by publishers in their time, Dick’s nine non-science fiction novels are worth celebrating as character-driven time capsules.
Visions of the future: All 12 Philip K. Dick movies, ranked
Movie list: For RFMC’s 3,000th post, we rank the films directly adapted from a novel or short story by visionary author Philip K. Dick.
‘Blade Runner: Black Lotus’ finds more life in ‘Leaving L.A.’ (2022)
PKD flashback (Comic book review): Not as stylish as the TV series, the comic continuation at least keeps its focus on replicant heroine Elle.
‘Blade Runner: Origins’ (2021-22) wraps by commenting on inner-city plight
PKD flashback (Comic book review): In Volumes 2 and 3, the writers use an alternate 2009 to explore issues of the real 21st century.
In ‘2029: Redemption’ (2022), has the ‘Blade Runner’ saga reached the singularity?
PKD flashback (Comic book review): In the third and final volume of the “2029” saga, it’s getting very hard to tell humans and replicants apart.
‘Soldier’ finally gets (somewhat) appreciated in ‘From Script to Screen’
Book review: When the screenwriter and many crew members don’t like the film, “Soldier” can’t be called a classic. But some of us like it anyway.
‘Blade Runner 2029’ gets more generic with ‘Echoes’ (2021)
PKD flashback (Comic book review): The second volume of “Blade Runner 2029” is oddly intent on making its antagonist particularly villainous.