“Cobra Kai,” which recently dropped its 10-episode third season on Netflix (after two years on YouTube Premium), has come along at a perfect cultural intersection
If you’re a fan of superheroes thanks to the 2010s cinema boom and are curious about their history in comics, “Superheroes: A Never-Ending Battle” (2013),
2021 will be a hugely transitional year for television and cinema as they react to our new post-pandemic habits. It could also be hugely entertaining
Like everything else, TV took a hit in this year of the pandemic, but networks felt the impact more so than streaming and premium. The
“The Flight Attendant” (HBO Max) might not be the ideal binge show. Propelled by the piano and percussion of Blake Neely’s score, the eight-episode first
David E. Kelley’s ascension from snarky network procedurals to the rarefied air of classy miniseries continues from “Big Little Lies” (2017-19) into the recently wrapped
“Drive” (2007, Fox) feels like a “see what sticks” entry from Tim Minear, who co-creates the series with Ben Queen. It boasts good TV actors
There’s no new season of “The Marvelous Mrs. Maisel” this year, but “The Queen’s Gambit” (Netflix) has us covered like a pawn wall protecting friendly
With “The Haunting of Bly Manor” (Netflix) – his spiritual (pun intended) sequel to 2018’s “The Haunting of Hill House” — Mike Flanagan continues to
Not all October premieres have to be scary – although a lot of them are (see later in this post) – so let’s start off