“Cobra Kai” Season 6, Part 3 (Netflix) features a bizarre mix of the awful and the amazing. Ultimately it leaves us feeling good as it
Thanks to crowd funding and documentary makers’ better sense of the size of their potential audience, we’re getting in-depth docs on classic entertainment like never
TV has delivered some hidden gems in major SF franchises, like “Total Recall 2070” (1999) and “Terminator: The Sarah Connor Chronicles” (2008-09). In brief flashes,
Sometimes I think the writers’ (Ed Neumeier and Michael Miner) contributions to “RoboCop” (1987) are underrated in relation to the deafening praise lavished on director
“Agatha Christie’s Poirot” has never looked better than in Season 11 (2008-09, ITV, A&E), as we’re invited into the cluttered boarding house of “Mrs. McGinty’s
“Agatha Christie’s Poirot” began its “dark half” by adapting four masterpieces in Season 9. Season 10 (2005-06, ITV and A&E), on the other hand, tackles
You have to give them credit for daring. Director Colin Bucksey and his team remake “Notorious” (1946) – perhaps the most lavishly crafted of Alfred
“Poirot” Seasons 1-8 feature the cozy quartet of Poirot, Hastings, Japp and Miss Lemon and proven, skilled writers like Clive Exton and Anthony Horowitz. But
Prestige miniseries and streaming franchise “content” ruled the roost, but traditional network TV surprisingly hung on to life this year – even if the format
In 2000, “Agatha Christie’s Poirot” Season 7 (ITV, A&E) hit the air after a four-year hiatus with a slight change in attitude. It tiptoes toward