First episode impressions: ‘Fear the Walking Dead’ (TV review)

For five seasons, “The Walking Dead” has revealed the flaws of societal structure through a world struggling to rebuild that structure. But we never saw the actual process of the stripping away of society. In the pilot episode, Rick wakes up from his coma post-apocalypse, and other characters haven’t talked about the initial outbreak much,

For current popular shows, what’s the end game? (TV commentary)

By their very nature, some shows have end games and some don’t. A show about families and relationships, like “Parenthood,” simply looks for a grace note (and it found a good one in its series finale in January); it’s not as if it can end with everyone’s life in a state of perpetual perfection. At

Have the communists won on ‘The Walking Dead?’ Not likely (TV commentary)

In Sunday’s episode of “The Walking Dead” (8 p.m. Central Sundays on AMC), Alexandria leader Deanna jokes to Rick “I guess the communists won.” She offers Rick and Michonne the jobs of constables, which they accept, and says she’s in the process of coming up with the ideal jobs for the rest of Rick’s group. Upcoming episodes

John’s top 10 TV shows of 2014

These were my 10 favorite shows of 2014: 1. “Star Wars: The Clone Wars” (Season 6, Netflix) – “The Clone Wars” saves the best for last with arcs delving into the Order 66 brainwashing, Palpatine’s manipulations to take over the galactic banking system, and Yoda’s surprising encounter with a dark avatar and his first communication with a

Is ‘The Walking Dead’ embarking on a ‘Dark Rick’ arc? (TV commentary)

Everyone is (rightly) reacting to the shocking end of Sunday’s mid-season finale of “The Walking Dead,” but the biggest moment in terms of reverberations for future stories might’ve happened before the opening credits. Bob No. 2 is running back to the hospital and doesn’t stop when Rick orders it from the police car’s loudspeaker. Rick rams Bob

John’s 10 favorite TV characters at the moment (Commentary)

The recent return of “24” further solidifies that this is an age of shock-value TV, where the body count of main characters is more valued than good character building. But TV’s reputation as a character medium isn’t dead yet. Here are 10 reasons why: