- John Hansen
- December 20, 2021
Crichton previews ‘24’ in last Lange book, ‘Binary’ (1972)
I knew Michael Crichton dipped his toe into a lot of genres and ideas, but until I read “Binary” (1972), the last of his eight
I knew Michael Crichton dipped his toe into a lot of genres and ideas, but until I read “Binary” (1972), the last of his eight
Agatha Christie’s “4:50 from Paddington” (1957, also published as “What Mrs. McGillicuddy Saw!”) is outfitted with a lot of the tropes we enjoy. Miss Marple
“Black Christmas” (2019) is a pleasant holiday surprise. With a rating down in the 3s on IMDb, I wondered if I should even unwrap this
“Take the Money and Run” (1969) is Woody Allen’s first traditional film as a director, since 1966’s “What’s Up, Tiger Lily?” was a “Mystery Science
James Bond remembers Vesper Lynd by visiting her grave early in “No Time to Die.” It encourages us to think about Daniel Craig’s and Eva
Writer-director Michael Crichton turns around his 1975 novel “The Great Train Robbery” for a 1978 film that reaffirms his technical competence but lacks flair. It’s
Every frame of “Last Night in Soho” (2021) looks neon-gorgeous in a way reminiscent of “Blade Runner.” When London fashion student Ellie (Thomasin McKenzie) moves
“Invasion” (2005-06, ABC) was the first of the post-“Lost” Event Series. And darn if it doesn’t still rank as one of the best, even as
Woody Allen bounces back from perhaps his worst movie, “Shadows and Fog” (1991), with one of his best: “Husbands and Wives” (1992). He gets back