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Crichton previews ‘24’ in last Lange book, ‘Binary’ (1972)

I knew Michael Crichton dipped his toe into a lot of genres and ideas, but until I read “Binary” (1972), the last of his eight

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‘4:50 from Paddington’ (1957) a padded Christie whodunit

Agatha Christie’s “4:50 from Paddington” (1957, also published as “What Mrs. McGillicuddy Saw!”) is outfitted with a lot of the tropes we enjoy. Miss Marple

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‘Black Christmas’ (2019) gets woke for its latest update

“Black Christmas” (2019) is a pleasant holiday surprise. With a rating down in the 3s on IMDb, I wondered if I should even unwrap this

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‘Take the Money and Run’ (1969) puts Allen on laugh radar

“Take the Money and Run” (1969) is Woody Allen’s first traditional film as a director, since 1966’s “What’s Up, Tiger Lily?” was a “Mystery Science

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Craig’s Bond bows out with uneven ‘No Time to Die’

James Bond remembers Vesper Lynd by visiting her grave early in “No Time to Die.” It encourages us to think about Daniel Craig’s and Eva

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‘Great Train Robbery’ (1978) a sharp but stiff procedural

Writer-director Michael Crichton turns around his 1975 novel “The Great Train Robbery” for a 1978 film that reaffirms his technical competence but lacks flair. It’s

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‘Double Sin’ (1961) puts Poirot in a Christmas mood

“Double Sin and Other Stories” (1961) collects eight Agatha Christie yarns published in magazines from 1925 through 1960. With four Poirots and two Marples, the

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McKenzie, Taylor-Joy light up ‘Last Night in Soho’

Every frame of “Last Night in Soho” (2021) looks neon-gorgeous in a way reminiscent of “Blade Runner.” When London fashion student Ellie (Thomasin McKenzie) moves

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First of the ‘Lost’ clones: ‘Invasion’ (2005-06)

“Invasion” (2005-06, ABC) was the first of the post-“Lost” Event Series. And darn if it doesn’t still rank as one of the best, even as

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Grass is always greener in ‘Husbands and Wives’ (1992)

Woody Allen bounces back from perhaps his worst movie, “Shadows and Fog” (1991), with one of his best: “Husbands and Wives” (1992). He gets back

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