Writer Paul Attanasio fairly cleanly adapts “Disclosure” (1994) from Michael Crichton’s novel from earlier the same year. But simply by being in a different medium,
Settling in for a comfortingly familiar Agatha Christie novel, I was surprised to find that “Death Comes as the End” (1944) is something quite different.
Douglas Preston and Lincoln Child’s “Bloodless” (August, hardcover) explores their love and fascination with Savannah, a town architecturally trapped in time. But too many words
It’s time to take the gloves off. From writer-director Wes Craven’s original classic to the unnecessary remake, here are RFMC’s rankings of all nine films
Cool concepts aren’t enough anymore. “La Brea,” which premiered Tuesday on NBC, has a pretty good one: A sinkhole opens at the titular tar pits
“The Brass Teapot” (2012) is an exhibit in the case that there are more good actors than good screenplays. Indie queen Juno Temple and underrated
We can often see a progression in Woody Allen’s catalog where something that’s a small point in one movie becomes a central point in a
With “State of Fear” (2004), Michael Crichton takes the opposite of his usual approach. Usually he peppers research into an action-adventure. Here he grafts action-adventure
“N or M?” (1941) is one of the best time capsules of Agatha Christie’s career. She writes about Tommy and Tuppence’s counter-espionage activities in World
There are spots where “Crystal Lake Memories: The Complete History of Friday the 13th” (2013) could be trimmed so it’s not nearly 7 hours long.