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Christie reflects on death in ‘Sparkling Cyanide’ (1945)

“Sparkling Cyanide” (1945, also known as “Remembered Death”) was adapted twice into TV movies despite not featuring Poirot or Marple, and it’s easy to see

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Fall movie preview 2021: Release dates, plus 7 films in the spotlight

Between the pandemic and Hollywood’s new way of doing things, summer is no longer the only season that boasts blockbusters. Fall has its share, too.

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SMG sticks with supernatural in ‘Return’ (2006), ‘Possession’ (2009)

Although Sarah Michelle Gellar only cameos in the 2006 sequel to “The Grudge,” she doesn’t abandon supernatural thrillers. Further wading into post-“Buffy” waters, she stars

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‘I’m Reed Fish’ (2006) is tasty small fry from great cast

“I’m Reed Fish” (2006) is a weird combination of a personal cheapie with a stellar, marketable cast of actors. A basic sans-serif font introduces the

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Allen’s game has delicious variety in ‘Match Point’ (2005)

Chris (Jonathan Rhys Meyers) gives tennis lessons in the opening of “Match Point” (2005), and writer-director Woody Allen proceeds to deliver a master class in

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Fall TV preview 2021: Release dates, plus 10 shows in the spotlight

As always, TV is a game of mimicry. So Fall 2021 gives us lots of gritty murder mysteries. And it’s a game of grabbing our

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‘A Case of Need’ (1968) makes case as Crichton’s first gem

It’s tempting to say “The Andromeda Strain” (1969) is Michael Crichton’s first great novel. Certainly, it’s the first techno-thriller, and the mimicked reportage style influenced

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Makeovers, musings come to fore in ‘Moving Finger’ (1943)

“The Moving Finger” (1943) is not the deepest Agatha Christie novel. But it might intrigue fans of more recent teen fare such as “She’s All

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‘Only Murders in the Building’ combines crime, cuteness

“Only Murders in the Building” (Tuesdays, Hulu) is yet another murder-mystery serial, but it brings its own flavor. Steve Martin, Martin Short and Selena Gomez

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I can’t be-‘Grudge’ (2004) this J-horror remake’s success

“The Grudge” (2004) opens with a moment that stayed in my mind for 17 years: A young woman (Yoko Maki) peeks into an attic to

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