I want to love “Tuck Everlasting” (2002). It has a meticulously beautiful look under the lens of James L. Carter and a delicately crafted score
“He’s All That” (Netflix) is a cute riff on 1999’s “She’s All That” – which was itself a riff on “My Fair Lady.” It includes
“September” (1987) is a small gem buried in Woody Allen’s rich catalog, filmed entirely in a country house built on a soundstage and improving on
In “Jurassic Park” (1990), Michael Crichton shows that bringing back dinosaurs is a scary proposition. But how hard is that? Dinosaurs were already scary. “Prey”
Miss Marple goes a surprising 12 years between her first and second novels, returning in “The Body in the Library” (1942). I’m struck by how
Slasher sequels have a reputation for being unoriginal, but “Candyman: Day of the Dead” (1999) is a particularly blatant case. Coming out even after the
“Candyman: Farewell to the Flesh” (1995) takes a long time to make an argument that it needs to exist. Director Bill Condon (the “Twilight” saga)
“Candyman” (1992) has one of the most aggressively effective scores I’ve heard. Philip Glass’ organ-driven theme evokes beautiful churches (even though there’s no church in
After “Jurassic Park” (1993), Hollywood wanted to get back into the Michael Crichton business. The first big-budget sci-fi title after that, the long in-development “Congo”
“Reminiscence” (theaters and HBO Max) imagines a future where the coasts are being drowned by rising sea levels. It’s supposed to be foreboding, but it’s