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‘Star Trek II: The Wrath of Khan’ (1982) and the Kobayashi Maru

“Star Trek II: The Wrath of Khan” (1982) pits Captain Kirk and his crew against a most formidable enemy; a crafty, smarter, stronger and better-looking

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‘Mission: Impossible – The Final Reckoning’ is almost impossible to follow

“Mission: Impossible – The Final Reckoning” has one of the most unnecessarily convoluted plots of any tentpole action movie. So much so that this eighth

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‘Lost Weekend’ (1945) a grippingly honest portrayal of alcoholism

“The Lost Weekend” (1945) must have been striking upon its release for its matter-of-fact portrayal of alcoholism. The Forties were the decade of film noir,

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A penny for your thoughts on Death in ‘Final Destination: Bloodlines’

Sometimes I wonder how Gen-Xers – the generation that didn’t give a crap – turned into helicopter parents. This is probably giving the power of

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Red sky at night, animators’ delight: A look at ‘TMNT’ Season 8 (1994)

By 1994, I was losing interest in “Teenage Mutant Ninja Turtles.” If memory serves, I recorded it via VCR timer and labeled the tapes with

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‘Agatha Christie’s Marple’ Season 1 (2004-05) comes out of the garden gate swinging

“Agatha Christie’s Marple” Season 1 (2004-05) faced a daunting question: Why (other than money) remake adaptations that had already been done to fans’ pleasure in

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‘A Bay of Blood’ (1971) shows where ‘Friday the 13th’ came from

I’ve found a lot of proto-slasher giallo films are still engrossing today due to not only the cinema-history lesson but also the stories and craft.

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‘True Romance’ (1993) a violent fairy-tale love story

As Quentin Tarantino gained buzz as the Gen-X auteur in the mid-’90s, “True Romance” (1993) was his secret film among my high school classmates. Everyone

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‘Ace in the Hole’ (1951) plays a winning hand of satire

“Ace in the Hole” (1951) is a kind of silly, rather entertaining, certainly unusual piece in Billy Wilder’s catalog. Driven by a muscular, over-the-top performance

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Coogler, Jordan team up again for too-safe ‘Sinners’

“Sinners” builds up its portrayal of 1931 life for black folk in Mississippi so well that when a bigger cinematic threat comes along, it’s a

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