“Stalag 17” (1953) is – thankfully for viewers who struggle with war and/or prison movies – another example of Billy Wilder’s ability to meld two
The “Fear Street” movies are the height of disposable slashers, but even so, it’s remarkable how disposable the characters are. These are the kind of
“Masterpiece Theatre” is a rather presumptuous premise, if you think about it, as the show (1967-2008) presented brand-new adaptations that may or may not be
Editor Vince Emery provides an archeological service as well as a literary one with “Lost Stories” (2005). He started by tracking down every under-published story
Dario Argento’s only full-length American production, “Trauma” (1993), is also his best movie that never gets talked about. It still has the Argento formula of
If we never get another Joss Whedon project, the common view is that he went out ignominiously by departing “The Nevers” after Season 1A (2021,
Billy Wilder’s direction and Miklós Rózsa’s bass-driven string music hold a viewer in thrall in “Fedora” (1978), despite a story that draws parallels to a
“Juno and the Paycock” (1930) was, even early in his career, an unusual adaptation for Alfred Hitchcock, as the material is misery-laden and lacking in
Watching “Woman in the Dark” (1934), it’s apparent why – other than classics like “The Maltese Falcon” (1941) and the “Thin Man” series – Dashiell
“The Old Ways” (2020) is an old story about a journalist who treads where she is warned not to tread and suffers the consequences. If