Douglas Preston has ended some of his novels in crazy fashion, and he starts “Extinction” (April, hardcover) in crazy fashion on page one. People are
“Ænigma” (1987) dares ask: Can a lady in a coma avenge herself via a rebel-gal at a Catholic girls’ school? It’s the same rhetorical question
Earlier this year, Hollywood put out “Fly Me to the Moon,” an alternate-history tale about a faked moon landing during the Apollo program. But cinema
After middling creative success with what today play like filmed theatrical works early in the sound era, Alfred Hitchcock opens up to the medium’s potential
2024 might be the pivotal year for neurodiversity on TV, as “High Potential,” “Brilliant Minds” and even “The Penguin” feature different types of mental spaces.
With “Apartment 7A” (Paramount Plus), it’s all relative. It’s the least-bad “Rosemary’s Baby” spinoff (following a film sequel, a book sequel and a miniseries remake),
The term wasn’t popularized at the time, but “Rosemary’s Baby” (1968) is a master class in gaslighting. In her sympathetic breakthrough role, Mia Farrow’s title
Six years after the lauded “Laura,” the trio of director Otto Preminger and stars Dana Andrews (the guy) and Gene Tierney (the dame) reteam for
Alfred Hitchcock slowly and steadily moves closer to learning how to do sound films (which, to be fair, put him in the same boat as
Depth might be returning to Hollywood’s offerings this fall. The season is short on mega-hyped movies, but a closer look reveals many projects whose taglines