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‘Trust Exercise’ (2019) a masterful triptych about broken adult-child trust

Susan Choi’s “Trust Exercise” (2019) is one of the best novels I’ve read about how misplaced/abused trust between children and adults can lead to lifelong

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‘Suspicion’ (1941) a lesser companion piece to ‘Rebecca’

Just one year after “Rebecca,” director Alfred Hitchcock and actress Joan Fontaine made the very similarly themed “Suspicion” (1941). It’s a classic example of an

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‘Ink Black Heart’ (2022) explores seediest corners of social media

In her sixth Cormoran Strike novel, “The Ink Black Heart” (2022), J.K. Rowling (writing as Robert Galbraith) goes deep into the modern world of social-media

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‘What a Girl Wants’ (2003) gives viewers what they want: Firth and Bynes

“What a Girl Wants” (2003), rightly regarded as Amanda Bynes’ best starring role, adds sprinkles to the cake of the teen rom-com genre. It’s mostly

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‘The Wrong Man’ (1956) stands as one of Hitchcock’s most important films

I both thoroughly admire and hate watching films about wrongly accused people, so I entered “The Wrong Man” (1956) with some dread. But I can’t

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‘3 Body Problem’ a wondrous yet grounded exploration of humans’ place in cosmos

Every quarter century we get a sci-fi epic about how God can perhaps be found at the endpoint of scientific advancement – “2001” (1968), “Contact”

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Hitchcock’s ‘Lifeboat’ (1944) reminds us that Nazis are evil

Alfred Hitchcock loved single-location movies shot on soundstages or backlots, because he could control everything. Because they were often so good, he made us love

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‘The Omen’ TV pilot (1995) is a rightly forgotten branch of the lore

After a franchise’s initial shine of success wears off, that’s often followed by several truncated follow-ups. “The Omen” franchise is a prime example, as the

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Bynes’ ‘Lovewrecked’ (2005) is a cheaply made wreck

Amanda Bynes showed early talent for acting on skit shows “All That” and “The Amanda Show,” then did movies and a sitcom in the Aughts,

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‘I Confess’ (1953) derives suspense from one man’s silence

Alfred Hitchcock is the Master of Suspense, but it’s when he’s working from a masterfully plotted screenplay that his films rise to the next level.

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