Special issues of franchise tie-in series are always irresistible, and always risky. Discerning readers of Boom! Studios’ “Firefly” will want to be cautious with “The
As big-screen comedies die out, director/co-writer Gene Stupnitsky’s career comes alive with “No Hard Feelings,” one of 2023’s funniest films. The former “Office” writer had
“Dead End” (2003) is one of the most efficiently budgeted Christmas horror films out there, but luckily it’s not a dead end of entertainment. Balancing
“Thanksgiving” promises “there will be no leftovers.” If you believe that, you haven’t noticed how modern horror films let not only the Final Girl but
“Love Actually” (2003) starts off so lovable – safely mainstream, but with touches of cynicism to undercut that when needed — that one wonders if
“Rope” (1948) makes it onto a lot of Alfred Hitchcock top 10 lists despite being his simplest story. (SPOILERS FOLLOW, in the sense that this
“Hercule Poirot’s Christmas” (1938) is a solid book with one of the most unlikely types of killers in Agatha Christie’s catalog, but it’s a little
“Marple: Twelve New Mysteries” (2022) – the first officially published prose about Miss Jane Marple written by someone other than Agatha Christie – should please
There’s nothing worse than an unfunny comedy. But in a close second place is an unscary horror movie. And next is a Christmas movie without
The Alfred Hitchcock classic “Strangers on a Train” (1951) starts with a hooky premise, then keeps a viewer engaged with twists and turns. It begins