“The Pope’s Exorcist” sounds like a title you’d see on a Redbox kiosk around the time of a new “Exorcist” movie (indeed, that saga’s sixth
In a time of overhyped too-minimalist horror films (“The Black Phone,” “Boogeyman”) and big-name franchises (the “Insidiouses” and “Conjurings”), “Cobweb” finds a nice middle ground.
It took until the 23rd film with “Amityville” in the title for the 1974 Defeo family murders to finally be chronicled in full. Writer-director Daniel
After a strong Season 1 and a bland “Eye of Sarnath” arc to start Season 2, episodes 6-13 of “Teenage Mutant Ninja Turtles” Season 2
The early 1980s was a proving ground for British TV producers, with their prime audience being the Agatha Christie estate. Christie didn’t care for unfaithful
Vikram Paralkar’s “Night Theater” (2020) is a one-setting, small-cast novella of a little over 200 pages that raises big questions. It’s easy to read in
The “Hellraiser” saga has a strange ability to tell the same story over and over but not in precisely the same way. For “Hellraiser: Deader”
“Amityville: The Awakening” (2017) has a hook, at least when I say it out loud. The story is set in the “real world,” where the
Lead writer David Wise skillfully morphed Mirage Comics’ version of the “Teenage Mutant Ninja Turtles” into kid-friendly cartoon form in 1987’s five-episode Season 1, a
In “Agatha Christie: An Autobiography” (1977), Christie famously doesn’t go deep into analyzing her novels or the stories behind them. That might’ve been frustrating in