There is a great movie to be made about the 1987 Washington Redskins replacement players, but for now I’ll certainly accept the “30 for 30”
Characterization is a tricky thing; we tend to say a tie-in fiction writer gets characterizations “right” or “wrong.” Getting it right can sometimes mean they
George Lucas used to talk about how he waited to do the “Star Wars” prequels till the special effects technology caught up with his vision.
Like the final season of “Lost,” “The Marvelous Mrs. Maisel” is flash-forwarding in its last go-around, in the prologs of each episode (three of which
A friend of mine claims that the ridiculousness of “Road House” (1989) can be chalked up to it being an Eighties movie. But I contend
Michael Chabon’s “The Amazing Adventures of Kavalier & Clay” (2000) has always been, in the back of my mind, my pick for the Great American
Late last year, director James Cameron released his ninth film, “Avatar: The Way of Water.” If you’re counting his films on your fingers and forgetting
Part homage to classic action films, part serious postmodern take, and skillfully dodging the ripoff label, “John Wick” (2014) reinvigorated the genre nine years ago.
I suspect “Knock at the Cabin” (Peacock) will rank as M. Night Shyamalan’s most divisive film. Based on the novel “The Cabin at the End
For better or worse, “Slasher” gets ambitious by trying its first period-piece mystery, venturing to 1890s Toronto. Through two episodes, it’s slightly “for worse,” but