‘Mummy’ (1999) puts impressive wrap on 20th century Universal Monster flicks
Frightening Friday (Movie review): And it’s debatable whether anything from the new century has matched Stephen Sommers’ film.
‘Face/Off’ (1997) among the ‘who’s who’ of great body-swap movies
Throwback Thursday (Movie review): Fun, thrilling and surprisingly touching, John Woo’s actioner explores the proclivities of identity.
‘Last Ronin’ (2020-22) fills in Turtles’ dark future … at least on one timeline
Turtle Tuesday (Comic book review): Character development for the titular Turtle is a highlight, but emotionally, this Mirage-adjacent dystopia feels the same as it ever was.
‘Robin Hood: Men in Tights’ (1993) a tight parody – with an English accent
Mel Brooks Monday (Movie review): Mildly hampered by goofiness and familiarity, the film is nonetheless quite funny as new actors pick up the Brooks baton.
‘Deep Blue Good-by’ (1964) a confident, rollicking hello to Travis McGee
Sleuthing Sunday (Book review): Already well-established with standalones, John D. MacDonald confidently segues to a series character.
‘From Dusk Till Dawn’ (1996) is a really good half of a movie
Frightening Friday (Movie review): Rodriguez and Tarantino have fun making a grindhouse-style movie. It’s almost at the film’s expense.
‘Con Air’ (1997) doesn’t fly as high as it aims to
Throwback Thursday (Movie review): A daring premise is undercut by more plot conveniences than what’s found in the popcorn flicks in surrounding theaters.
‘Paradox of Chudnovsky’ (2025) takes its time reaching ‘TMNT’ fans
Turtle Tuesday (Comic book review): The Mirage timeline quietly got expanded when this under-published issue was included in “Best of Renet.”
‘Silver Surfer’ (1978) betrays a behemoth and steals the show
Superhero Saturday (Comic book review): Kirby and Lee retell a sympathetic villain’s story in the first Marvel graphic novel and their final collaboration.
Snakes alive! ‘Anaconda’ (1997) a standout of natural-world horror
Frightening Friday (Movie review): It’s debatable who gives the better reptilian performance: the snake or Jon Voight. But suffice it to say both are entertaining.