Scott Derrickson has developed a reputation as a fine filmmaker, but for me he’s leaning toward safe filmmaker. Though his resume includes the excellent “Exorcism
Sometimes George Miller feels like unleashing two hours of action; sometimes he feels like telling a character story (albeit still with more and better action
“The Menu” (2022) has big ideas yet ultimately feels so much of a piece with other cool, high-concept modern films that it’s more a smoke-and-mirrors
About 15 years ago when mass layoffs hit newspapers, editors were encouraged to use the catchphrase “Do more with less.” It was idiotic in that
Every frame of “Last Night in Soho” (2021) looks neon-gorgeous in a way reminiscent of “Blade Runner.” When London fashion student Ellie (Thomasin McKenzie) moves
Fox’s two-decade run of 13 “X-Men” films and two TV series ends in understated and underwhelming fashion with “The New Mutants,” which was originally supposed
I’m not the target audience for “Emma,” but given how good Anya Taylor-Joy is in everything – most recently, TV’s “The Queen’s Gambit” – I figured
There’s no new season of “The Marvelous Mrs. Maisel” this year, but “The Queen’s Gambit” (Netflix) has us covered like a pawn wall protecting friendly
“Glass,” now available for home viewing, is an excuse to spend more time in the universe of “Unbreakable” (2000) and “Split” (2017), and I like
“Glass,” the trilogy topper we didn’t know we needed, is a unique animal. It’s hard for me to put a finger on how I feel about