Brian De Palma, the greatest remixer in cinema history, follows up his Hitchcock-inspired breakthrough “Sisters” (1973) with “Phantom of the Paradise” (1974). The musical combines
Nowadays we’re familiar with the idea of a “legacy sequel”: a new (but not too new) story set against a beloved classic’s backdrop of visuals,
“The Fury” (1978) is no one’s pick for best or worst Brian De Palma movie, but it’s in contention for weirdest. A couple years after
Brian De Palma’s first horror film, “Sisters” (1972), is also the movie where he finds one of his two primary identities. Later, he’d be known
If writer-director Brian De Palma was a Hitchcock student in “Sisters” (1972), he’s a Hitchcock teacher in “Dressed to Kill” (1980), a riff on the
As it peers into the dark corners of a massive conspiracy but maintains a personal scope, writer-director Brian De Palma’s solid thriller “Blow Out” (1981)
Just as 1974’s “Carrie” was Stephen King’s first book, director Brian De Palma’s 1976 adaptation was filmgoers’ introduction to King. Unlike with “The Shining” four
May is the month of “M:I,” as we look back at the six “Mission: Impossible” films from May 2-10. First up is the original “Mission:
From his first writing credit (1981’s adaptation of “The Postman Always Rings Twice”) through his most recent writer-director gig (the 2013 TV movie “Phil Spector”),
I wouldn’t mind looking at a series of still photos from “The Untouchables” (1987) or listening to the genre-hopping score by Ennio Morricone. But when