Just one year after “Rebecca,” director Alfred Hitchcock and actress Joan Fontaine made the very similarly themed “Suspicion” (1941). It’s a classic example of an
“To Catch a Thief” (1955) is so gorgeous to look at, and Cary Grant is so suave and Grace Kelly so elegant, that it actually
“Notorious” (1946) is the entry in Alfred Hitchcock’s oeuvre that can be most crisply studied for its artistry in slow-burn suspense. Ingrid Bergman’s Alicia –
Almost without exception, at the end of watching every movie in my “On a Hitchcock Kick” series I’ve thought, “Ah, I can see why critics