Christopher Reeve

‘Deathtrap’ (1982) a tangle of not-funny-enough meta gags

The mystery genre so exploded in popularity in the 20th century that the meta-mystery subgenre (movies poking fun at the tropes of mysteries) likewise exploded

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‘Super/Man: The Christopher Reeve Story’ (2024) flies high as a tear-jerker

Have Kleenex ready, cuz I mean, damn. In “Super/Man: The Christopher Reeve Story” (2024), the “S” doesn’t stand for Superman, nor is it an alien

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Reeve, Hannah make ‘Rear Window’ (1998) better than it should be

One of the reasons accepted as valid for remaking a perfect classic is if you have something new to say via the same (or very

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Which is the better ‘Superman II’? A case for the Lester Cut

“Superman II” (1981) has always been a beloved film, but when an alternate version came out in 2006, it became even more beloved. The theatrical

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‘Superman IV: The Quest for Peace’ (1987) fails to execute decent concept

In 1985’s “Rocky IV,” Rocky ends the Cold War with an impassioned speech. Two years later, “Superman IV: The Quest for Peace” (1987) offers a

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‘Superman III’ (1983) embraces the humor

Having gotten the heavy backstory out of the way, franchise screenwriters David and Leslie Newman and director Richard Lester (who helmed the theatrical version of

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‘Superman II: The Richard Donner Cut’ (2006) brings Zod to the fore

“Man of Steel” (2013) ends with Superman ravaging Metropolis in order to defeat General Zod, and that destruction becomes a central issue of “Batman v

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‘Superman’ (1978) lovingly launches superhero resurgence

“Superman” (1978) is a product of its time, something that’s more evident today when contrasted with the muscular and modern “Man of Steel” (2013). Still,

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