Comedy

Teen TV looks to the past with ‘Cobra Kai,’ ‘Hysteria!,’ ‘Cruel Intentions’

Some Gen-Z teen TV shows have original premises and say something specific about this point in history … but I’m not reviewing those here. Instead,

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Last three ‘Thin Man’ movies (1941-47) are the thinnest entries, but worth a look

The “Thin Man” saga survives its transition away from the original trilogy’s writers (Albert Hackett and Frances Goodrich, working from stories by Dashiell Hammett) reasonably

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Country life is an unfunny slog in ‘The Farmer’s Wife’ (1928)

If I had a time machine to observe audience reactions of the past, I’d first go to an opening screening of “Psycho” (1960) to enjoy

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‘My Old Ass’ is low-key one of the year’s best movies

The title doesn’t set the mood for one of the best movies of 2024. “My Old Ass” is the most delicately pleasant coming-of-age movie I’ve

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Nick and Nora are stars in ‘After the Thin Man’ (1936), ‘Another Thin Man’ (1939)

With his novel “The Thin Man” (1934), Dashiell Hammett switched protagonists from workaholic, down-and-dirty sleuths to a detective who retired at a young age and

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Raise a glass to Hitchcock’s bubbly ‘Champagne’ (1928)

The riches-to-rags (and perhaps back to riches) story was among Alfred Hitchcock’s favorite structures of the Roaring Twenties. He approached it seriously in “Downhill” (1927),

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‘Beetlejuice’ (1988) is a matter of taste, and it’s not mine

There’s much to admire about “Beetlejuice’s” (1988) historical significance. Tim Burton was becoming Tim Burton, Michael Keaton was becoming Michael Keaton (“Batman” followed one year

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In ‘Terrifier 3,’ Art is a psycho for all seasons

If it wasn’t official already, in “Terrifier 3” Damien Leone has taken the baton from Eli Roth as the goriest filmmaker working today. He’s also

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Bloody romp ‘Abigail’ could’ve used sharper stakes

Is “Abigail” a bloody good time or a bloody mess? This horror flick from the team behind “Ready or Not” and the two “Scream” legacy

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Body-horror film ‘The Substance’ has plenty of it

Both a throwback to old-school practical-effects monster horror and a present-day breakthrough for writer-director Coralie Fargeat, “The Substance” goes deep into the issues (and tissues)

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