Similar to Dwayne Johnson, Ryan Reynolds has become an actor who cranks out similar, vaguely likable, harmless comedies. In fact, “The Adam Project” (Netflix) comes
One of the reasonably fresh concepts for romance-theory nerds in “I Want You Back” (Amazon Prime) is the “slow burn.” Lots of people can be
Writer-director Adam McKay’s “Don’t Look Up” (2021, Netflix) makes fun of almost everything in American pop culture and government today. It’s intelligent, but rarely uproariously
Writer-director Aaron Sorkin’s “Being the Ricardos” (2021) is like an episode of “Sports Night,” “Studio 60 on the Sunset Strip” or “The Newsroom.” That’s a
We live in a time when everyone has a voice and no one is heard. I can safely say something controversial on my blog without
“Texas Chainsaw Massacre: The Next Generation” (1995), widely considered the worst of the franchise, has a lot going against it before you press play. The
“Ghostbusters: Afterlife” (2021) is the best of the three sequels. That’s a low bar to clear, but it’s also a reasonably impressive achievement. The original
“Peacemaker” (Thursdays, HBO Max), the first DC Extended Universe TV series, rehabilitates the title character, the least likable member of last year’s “The Suicide Squad.”
Amid the drama of the All Valley Tournament that concludes “Cobra Kai” Season 4 (December, Netflix), Johnny (William Zabka) is told Miguel (Xolo Maridueña) left
A little bit “Jumanji: Welcome to the Jungle,” a little bit “The Invention of Lying,” a little bit “Groundhog Day” and a little bit PKD,