Comedy

Tarantino loves, lampoons motion picture industry in luscious ‘Once Upon a Time … in Hollywood’ (Movie review)

Quentin Tarantino low-key makes fun of 1969-era movie- and TV-making in “Once Upon a Time … in Hollywood.” But the production design by Barbara Ling

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‘Peanut Butter Falcon’ transcends the novelty of an actor with Down syndrome (Movie review)

The familiar following-your-dreams story of “The Peanut Butter Falcon” comes alive thanks to vibrant Savannah-area locations and three engaging performances. Most unusual is that of

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Hilarious Florida roast aside, ‘Big Mouth’ takes a step backward with hit-and-miss Season 3 (TV review)

Although “Big Mouth” Season 3 (October, Netflix) ultimately delivers enough good episodes that I give it a soft recommend, it is a clear step back

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‘Return of Swamp Thing’ (1989) an improvement, but still terrible

“Swamp Thing” (1982) achieved a spot on the short list of worst movies to get a sequel upon the release of “The Return of Swamp

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Come for the Beatles tunes, stay for Lily James in ‘Yesterday’ (Movie review)

“Yesterday” isn’t the first movie to use Beatles songs as its foundation – see also 2001’s “I Am Sam” and 2007’s “Across the Universe” –

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Stars have a blast bringing ‘Charlie’s Angels’ films to big screen

A neat thing about the “Charlie’s Angels” franchise is that it’s one big saga, with the 1976-81 TV series, the 2000-03 movies, the short-lived 2011 TV

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‘Cobra Kai’ shows no mercy to the competition, stays badass in Season 2 (TV review)

With Season 2 (April), which recently wrapped its free-to-all run on YouTube Premium, “Cobra Kai” has secured its spot as the best continuation of a

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‘Super’ (2010) subversively funny, shockingly violent

Similar to “Kick-Ass,” which preceded it by a couple months in 2010, “Super” takes on the elephant in the room of superhero movies. In 95

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First episode impressions: ‘The Unicorn’ and ‘Perfect Harmony’ (TV reviews)

In this age of easily accessible TV, there’s no such thing as timeslot battles anymore, but for the sake of fun, let’s pit “The Unicorn”

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‘Singles’ a sweet and light time capsule of 1992

Filmmakers generally don’t aim to create a time capsule when they make a contemporary film, but some turn out that way. A case in point

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