“Dead End” (2003) is one of the most efficiently budgeted Christmas horror films out there, but luckily it’s not a dead end of entertainment. Balancing
“Hercule Poirot’s Christmas” (1938) is a solid book with one of the most unlikely types of killers in Agatha Christie’s catalog, but it’s a little
Like the 2013 “Evil Dead,” “Evil Dead Rise” – the saga’s fifth entry – tells the same story as the 20th century “Evil Dead” trilogy
“The Exorcist: Believer,” a 50th anniversary legacy sequel from Blumhouse that – like its recent “Halloween” 40th anniversary trilogy – ignores all the previous sequels
DC cared enough about protecting the brand of “Batgirl” that it scrapped a completed movie so the public wouldn’t see a bad “Batgirl” movie. But
As “Talk to Me” puts Australian horror back on the map, and “Hell House LLC Origins: The Carmichael Manor” has me on a found-footage kick,
Hercule Poirot uses his knowledge of human psychology to solve crimes almost as much as he uses physical evidence. In her Christie estate-commissioned Poirot novels,
After adapting two Agatha Christie classics – “Murder on the Orient Express” and “Death on the Nile” – with an edgier, darker version of Poirot,
“28 Days Later” (2002 in the U.K., 2003 in the U.S.) fast-tracked zombies back into the mainstream for a new century. Director Danny Boyle and
“The Fall of the House of Usher” (Netflix) must’ve been a fun writing project for Mike Flanagan and his staff of eight scribes. They use