“Hellraiser: Revelations” (2011) is the worst “Hellraiser” movie, but among the most interesting to discuss. Because Dimension has a contract with the “Hellraiser” IP where
“The Pope’s Exorcist” sounds like a title you’d see on a Redbox kiosk around the time of a new “Exorcist” movie (indeed, that saga’s sixth
In a time of overhyped too-minimalist horror films (“The Black Phone,” “Boogeyman”) and big-name franchises (the “Insidiouses” and “Conjurings”), “Cobweb” finds a nice middle ground.
“Amityville: The Awakening” (2017) has a hook, at least when I say it out loud. The story is set in the “real world,” where the
After a string of direct-to-video “Amityville” movies, I was excited about the bigger budget, high production values and name cast of “The Amityville Horror” remake
“Amityville Dollhouse” (1996) offers a cheeky addition to the “curse” spinoff series. Following a lamp, a clock and a mirror, now we have a dollhouse
Agatha Christie’s authorial career became fairly stable about a decade in, so she had the freedom to write non-mystery novels (sometimes called “mainstream” or “literary”
Usually horror sagas get gradually worse, more phoned-in, more amateurish, as they go along. The “Insidious” films are a notable exception through the first four
Peng Shepherd’s “The Cartographers” (2022) feels like it was released while still in the drafting stage. In her second novel, her passion for mapmaking –
“M3gan” (2023) is a post-postmodern techno-horror comedy that tries – and largely succeeds – at being both a serious warning to young filmgoers and a